Friday, 22 October 2021

October: The Season of Existence 🍁

Tell me, have you seen me cry? Tell me, have you seen me take a humble round out of sheer happiness? Tell me, have you seen me disappear every other day like a crumble of smoke puffing out of the chimney attached to that fireplace that might have warmed up with flames a century ago? Tell me, what exactly have you seen?
Just the very yesterday, I sniffed a rotting smell from the other side of a closed door. It was a stale gruelling smell of death. It was unbearable. A few days passed away like that. I got myself familiar and adjusted with that decomposing whiff. It somehow started to get into the domestic flow. A few days went in that way like an accepted discomfort. But then that day, we found a stray cat, whom I used to call "Lennon" laid there all dead and frozen. I couldn't get a glimpse of his lifeless face but saw some flies rushed out of the room, unnoticed.
So tell me what have you seen? Is it always too conditional to consume whatever is there in front of our sight? Can't we happen to look right over what is not there? Once, a few years back, I was travelling somewhere on a train. It was a chilly night in December. The compartment was hollow with a hushed hue of snoring and blues. I was lying on my seat all tired and awake. The earphones of my iPod were stuck in my ears but all could hear was the hurled sound of railway tracks lining below me, moving me, carrying me, taking me to an unknown destination. But was I even there? At that moment? In that sleep stricken train bogie? Where was I hanging then? Where am I hanging now? Why do I only see myself in the past moments, where I wasn't actually alone? Tell me, have you seen me anywhere? Was I there with you yesterday? If I wasn't then where was I? And who was that embodied entity of mine with you in the past moments?
October. Octobers summoned such striking curiosity. The curiosity of entity. I am curious to know about the fall I never happened to see on my own. But I was there. My existence was there in the conjunction of living and unconsciousness. I see myself walking on the damp road of late October piled up with dead maple leaves. I saw myself walking through a fairly dense forest where I might come across a small cottage showing its presence of liveliness with an entwined chain of dimming bulbs and wrath of reeks hovering above the ridge. I saw myself knitting tiny woollen covers for my cats who usually spend their days chasing insects or dozing on the sofa kept aside at the late hour of the afternoon. Tell me, Can you see me there? Well... Maybe not. But you can see yourself on the verge of late autumn, sitting all alone by the shutted window counting the visible stars, reading your favourite poetry 5th time that day, stuffing warm succulent meatballs induced in a spicy broth, looking for your scarf of bad habits, lifting yourself from the struggles you are growing through, living the day and leaving behind yesterday. 
So tell me.... Could you see yourself now? Did you find it? Is that you? If not... then don't frazzle up. It might be just another nightmare. Or... It might just be another bad, brooding, lifeless October. A season of fall 🍁...
-Shrestha Mukherjee :)

Monday, 4 October 2021

āĻšāϞুāĻĻ āĻŽ্āϝাāϟ্āϰেāϏ।। đŸŒģ

āĻŦিāĻĒāĻĻ āϝে āφāϏāϞে āĻ•ি āϤা āϝাāϰা āύāϤুāύ āϏিāύāĻĨেāϟিāĻ• āĻŽ্āϝাāϟ্āϰেāϏে āĻļো⧟েāύি āϤাāϰা āĻ•āĻ–āύো āĻŦুāĻāĻŦেāύা। āĻ…āĻŦāĻļ্āϝāχ āĻāχ āϧাāϰāĻŖা āφāĻŽাāϰ āϤāĻ–āύ āĻ›িāϞ āϝāĻ–āύ āφāĻŽি āĻ•্āϞাāϏ āϏেāĻ­েāύে āĻĒ⧜āϤাāĻŽ। āϤাāϰāĻĒāϰে āϏে āĻ•āϤ āĻĻিāύ āĻĒেāϰি⧟ে āĻ—েāϞো। āĻ•āϤ āĻŦাāϰ āύাāĻ•াāύি āϚোāĻŦাāύী āĻ–েāϞাāĻŽ, āĻ•āϤ āĻ…āϞিāĻ—āϞি āĻĒāĻĨ āĻĒেāϰোāϞাāĻŽ, āĻ•āϤ āϏিঁ⧜ি āĻŦে⧟ে āωāĻ āϞাāĻŽ āύাāĻŽāϞাāĻŽ.. āϤা āφāϰ āĻŽāύেāĻ“ āύেāχ। āϤāĻŦে āϏেāχ āĻ…āĻ•্āϟোāĻŦāϰ āĻāϰ āĻ­োāϰ āφāϜāĻ“ āφāĻŽাāϰ āĻŽāύে āĻĨাāĻ•āĻŦে। āĻĻিāύāϟা āĻ›িāϞ āĻŽāĻšাāϞ⧟া। āφāĻ—েāϰ āĻĻিāύেāϰ āϤুāĻŽুāϞ āĻŦৃāώ্āϟিāϰ āĻĻুāĻĒুāϰে āĻŦাāĻŦা āĻĻোāĻ•াāύ āĻĨেāĻ•ে āφāĻŽাāĻĻেāϰ āĻŦিāĻ›াāύা⧟ āĻĒাāϤাāϰ āϜāύ্āϝে āĻ‡ā§Ÿা āĻŦ⧜ āĻāĻ•āϟি āĻšāϞুāĻĻ āϰāĻ™েāϰ āĻŽ্āϝাāϟ্āϰেāϏ āĻ•িāύে āĻāύেāĻ›িāϞ। āϤাāϰ āϏেāχ āϚোāĻ– āϧাঁāϧাāύো āϰāĻ™ āĻĻেāĻ–ে āĻ•ি āϝে āϤাāϜ্āϜāĻŦ āĻŦāύে āĻ—েāĻ›িāϞাāĻŽ.. āĻŽāύে āĻŽāύে āĻŦাāϰ āĻ•āϤāĻ• āĻĄিāĻ—āĻŦাāϜি āĻ–ে⧟ে āύি⧟েāĻ›িāϞাāĻŽ। āϝাāĻ• āϤো āϏেāχ āφāύāύ্āĻĻ āĻŦেāĻļি āĻ–āύ āϟেāĻ•েāύি। āϰাāϤ āύেāĻŽে āφāϏāϤে āύāϤুāύ āĻŽ্āϝাāϟ্āϰেāϏে āĻ—া āĻ—ā§œি⧟ে āĻļু⧟ে āĻĒ⧜āϞাāĻŽ āφāύāύ্āĻĻ āĻŽাāĻ–া āϘুāĻŽ āĻĻেāĻŦ āĻŦāϞে। āĻ•িāύ্āϤু āĻ“āχ āφāύāύ্āĻĻ āϏ্āĻŦāĻ­াāĻŦāϤāχ āĻāĻ•āϟি āϧাāϰāĻŖা āĻ›া⧜া āϝে āĻ•িāĻ›ুāχ āύা āϤা āϏেāχ āĻŽ্āϝাāϟ্āϰেāϏে āĻļু⧟ে āĻŦুāĻেāĻ›িāϞাāĻŽ। āϏিāύāĻĨেāϟিāĻ• āĻšāĻ“ā§Ÿাāϰ āĻĻāϰুāύ āĻŦিāĻ›াāύাāϰ āϚাāĻĻāϰ āϤাāϤে āĻ•িāĻ›ুāϤেāχ āĻĨাāĻ•āϞোāύা। āĻļেāώে āϤা āϤুāϞে āĻĻি⧟ে āϘুāĻŽোāύোāϰ āϚেāώ্āϟা āĻ•āϰা āĻšā§ŸেāĻ›িāϞ। āϤাāϤেāĻ“ āĻĢāϞ āϞāĻŦāĻĄāĻ™্āĻ•া। āĻļুāϞেāχ āĻŽāύে āĻšāϚ্āĻ›িāϞ āĻāχ āĻŦুāĻি āĻ—ā§œি⧟ে āĻ—েāϞাāĻŽ। āĻŽ্āϝাāϟ্āϰেāϏāϟিāϰ āĻ–āϏāĻ–āϏে surface āĻšāĻ“ā§Ÿা⧟ āĻ—োāϟা āĻ—া⧟ে āĻ…āϏ্āĻŦāϏ্āϤিāϰ āĻāĻ•েāĻŦাāϰে āĻ‡ā§Ÿে āφāϰāĻ•ি। āύাāĻš! āϤāĻŦে āĻŦাāĻŦা āĻŽা āϤাāϤেāĻ“ āϘুāĻŽি⧟ে āĻ—েāĻ›িāϞো। āϘুāĻŽাāϞাāĻŽ āύা āφāĻŽি। āϘুāĻŽোāϞোāύা āĻĻিāĻĻি। āĻŽুāĻ– āĻšা⧜ি āĻ•āϰে āϏাāϰা āϰাāϤ āύা āϘুāĻŽোāϤে āĻĒাāϰাāϰ āĻĻুāϰুāĻĻুāϰু āĻŦিāϰāĻ•্āϤি āĻĒেāϟেāϰ āĻ­েāϤāϰ āϚেāĻĒে āϟিāĻ­িāϤে āĻĒ্āϰোāĻ—্āϰাāĻŽ āĻĻেāĻ–েāĻ›িāϞাāĻŽ āϏেāχ āĻŦাāϰ।

āϝাāĻ• āϤো āϤাāϰāĻĒāϰে āĻĒেāϰি⧟ে āĻ—েāϞো āĻ•āϤ āĻŦāĻ›āϰ। āĻŦ⧜ āϰা āĻŽাāύāϤে āύা āϚাāχāϞেāĻ“ āφāĻŽāϰাāĻ“ āĻĻেāĻ–āϤে āĻĻেāĻ–āϤে āĻāĻ•āϟা āĻ—োāϟা āϝুāĻ— āϝে āĻ•াāϟি⧟ে āĻĢেāϞāϞাāĻŽ āϤা āĻ­েāĻŦেāĻ“ āφāĻļ্āϚāϰ্āϝ্āϝ āϞাāĻ—ে। āĻāχ āĻŽাāĻেāϰ āĻāϤ āĻŦāĻ›āϰেāϰ āĻ“āĻ া āĻĒ⧜া, āĻĒাāĻšা⧜ি āĻĒāĻĨ āĻĒেāϰি⧟ে āĻŽোāĻŽো āύাāĻŽāĻ• āĻ–াāĻĻ্āϝāϟিāϰ āϏāĻŽāϤāϞে āύেāĻŽে āφāϏা, āĻŦিāϜ্āĻžাāĻĒāύ āĻāϰ āύাāĻŽ "reels" āĻšā§Ÿে āϝাāĻ“ā§Ÿা, āύোāϟāĻŦুāĻ• āĻ›ে⧜ে āύোāϟāĻĒ্āϝাāĻĄ āϧāϰা, āωāύিāĻ­াāϰ্āϏিāϟি āĻ•ে āĻļুāϧু āĻŽাāϤ্āϰ āύিāϜেāϰ āĻĻুāĻšাāϤেāϰ āĻŽুāĻ ো āĻĻি⧟ে āϚেāύা, āĻŽৃāϤ্āϝুāĻ•ে āĻŦাāϰāĻŦাāϰ āĻĻেāĻ–া, āĻ•িāĻ›ু āϏāϤ্āϝি āĻ•āĻĨা āĻŦāϞāϤে āĻ—ি⧟েāĻ“ āφāϤ্āĻŽāϏāĻŽ্āĻŽাāύেāϰ āĻ•াāĻ›ে off-side āĻ–ে⧟ে āϘāϰে āĻŦāϏে āϚোāĻ–েāϰ āϜāϞ āĻĢেāϞা, āĻāĻ•া āĻšā§Ÿে āϝাāĻ“ā§Ÿা, āĻŽুāĻ–োāĻļ āĻāϰ āĻ“āĻĒāϰ āφāϰেāĻ•āϟি āĻ•ৃāϤ্āϤিāĻŽ āĻŽুāĻ–োāĻļ āϚাāĻĒাāύো.. āϏāĻŦ āĻšāϞো। āĻĻা⧟িāϤ্āĻŦ āύি⧟েāχ āĻšāϞো। āϤāĻŦে āϏেāĻĻিāύ āĻšāĻ াā§Ž āφāĻŦাāϰ āĻŽ্āϝাāϟ্āϰেāϏāϟাāϰ āĻĻিāĻ•ে āϚোāĻ– āϝেāϤে āĻŽāύে āĻĒ⧜ে āĻ—েāϞো āϏেāχ āϰাāϤে āϘুāĻŽাāϤে āύা āĻĒাāϰাāϰ āĻĻুঃāĻ–। āϏেāχ āĻĻিāύেāϰ āĻĒāϰ āĻŦāĻ›āϰেāϰ āĻĒāϰ āĻŦāĻ›āϰ āϝে āύা āϘুāĻŽি⧟ে āĻ•াāϟাāϚ্āĻ›ি, āϤাāϤে āĻĻুঃāĻ– āύেāχ। āϤāĻŦে āϏেāχ āϰাāϤে āϘুāĻŽোāϤে āύা āĻĒাāϰাāϰ āĻĻুঃāĻ– āϤা āϝে āφāϏāϞে āĻ•োāĻĨা⧟ āĻāϏে āϞেāĻ—েāĻ›ে āϤা āĻāϤ āĻŦāĻ›āϰেāĻ“ āĻŦুāĻিāύি। āϏāĻŽā§Ÿ āĻĒাāϞ্āϟেāĻ›ে। āĻŦāĻ›āϰ āĻāĻ—ি⧟েāĻ›ে āĻ…āύেāĻ•। āύিāϜেāϰ āϜীāĻŦāύেāϰ āĻĒāĻĨে āϚāϞাāϰ āϏāĻŽā§Ÿ āĻ—ā§œি⧟ে āĻ—েāĻ›ি āϞāĻ•্āώ āĻŦাāϰ, āĻ•িāύ্āϤু āϏেāχ āĻŽ্āϝাāϟ্āϰেāϏāϟি āφāĻŽাāĻ•ে āφāϜ āφāϰ āĻ—ā§œি⧟ে āĻĢেāϞেāύা। āϏেāχ āĻšāϞুāĻĻ āĻŽ্āϝাāϟ্āϰেāϏāϟাāϰ āĻ“āĻĒāϰ āφāϜ āϚেāĻĒেāĻ›ে āϧুāϞো, āϤুāϞোāϰ āϤোāώāĻ•, āĻŽāύ āĻ–াāϰাāĻĒ, āφāύāύ্āĻĻ, āĻ­াāĻ™া āϘāϰ, āĻĒুāϰোāύো āĻāϞāĻŦাāĻŽ, āĻŽাংāϏেāϰ āĻোāϞ, āφāĻĻি āĻĸাāĻ•েāĻļ্āĻŦāϰীāϰ āĻļা⧜িāϰ āĻĒ্āϝাāĻ•েāϟ, āĻ›োāϟāĻŦেāϞাāϰ āĻšাāϰাāύোāϰ āϤাāϞāĻ—াāĻ›েāϰ āĻ›āĻŦি āϝেāϟা āĻŽু⧜ে āϝাāĻ“ā§Ÿা⧟ āϏোāϜা āĻ•āϰāϤে āϏেāĻ–াāύে āĻ•োāύো āĻāĻ•āĻĻিāύ āύিāϜে āϰেāĻ–ে āύিāϜেāχ āĻ­ুāϞে āĻ—েāĻ›ি... āĻāϤ āĻ•িāĻ›ুāϰ āĻ­াāϰ āύি⧟ে āϏে āύিāϜেāĻ“ āφāϜ āĻŦ⧜ āĻ•্āϞাāύ্āϤ। āϤাāϰ āϏাāĻĨে āϏেāχ āϝে āĻ…āĻ­িāĻŽাāύ āĻĒাāϞা āϚāϞāϤ āφāĻŽাāϰ, āϤা āϝে āĻ•āĻŦেāχ āĻŦেāĻŽাāϞুāĻŽ āĻ­ুāϞে āĻ—েāϞাāĻŽ āφāĻŽāϰা.. āύিāϜেāϰাāχ āϏে āĻ–āĻŦāϰ āϰাāĻ–িāύি। āφāĻŦাāϰāĻ“ āĻāĻ•āϟা āĻĒূāϜো āϚāϞে āĻāϞো, āφāĻŦাāϰāĻ“ āϏেāχ āĻŦিāϰāĻ•্āϤি āĻŽাāĻ–াāύো āĻŽāύ āĻ–াāϰাāĻĒ। āφāĻŦাāϰāĻ“ āϰাāϤে āϘুāĻŽ āύা āφāϏা। āφāĻŦাāϰāĻ“ āĻšেāϰে āĻ—ি⧟ে āĻŦেāϞা āĻ…āĻŦ্āĻĻি āϘুāĻŽ āĻĻেāĻ“ā§Ÿা। āĻāχ āϏāĻŦেāϰ āĻŽāϧ্āϝে āĻšāϞুāĻĻ āϰāĻ™েāϰ āĻāχ āĻŽ্āϝাāϟ্āϰেāϏ āϟাāĻ“ āĻŦু⧜ো āĻšā§Ÿে āĻ—েāϞো। āĻĒেāύāĻļāύেāϰ āϜāύ্āϝে āĻšাāĻ•াāĻšাāĻ•ি āĻ•āϰāϞো āĻŦāϞে...। āĻšā§ŸāϤো āφāĻ—েāϰ āĻŽāϤো āφāϰ āĻĢিāϰে āϝেāϤে āĻĒাāϰāĻŦোāύা āϘুāĻŽ āύা āĻšāĻ“ā§Ÿাāϰ āĻĻুঃāĻ–েāϰ āĻĻিāύে, āϤāĻŦে āĻ—্āϰীāώ্āĻŽেāϰ āĻĻুāĻĒুāϰে āĻŦা⧜িāϤে āĻĨাāĻ•া āĻŦ⧜ āĻ াāύ্āĻĄা āϜāϞেāϰ āϟ্āϝাংāĻ•েāϰ āĻŽāϧ্āϝে āĻšাāϤ āĻĄুāĻŦি⧟ে āϰাāĻ–াāϰ āĻŽāϤোāύ āφāύāύ্āĻĻ āĻāĻ–āύো āĻ–াāύ āĻ•āϤāĻ• āϤোāϞা āφāĻ›ে। āϏে āĻ—ুāϞো āĻ•āϰা⧟ āĻ—āύ্āĻĄা⧟ āĻ…āϏুāϞ āύা āĻ•āϰে āφāĻŽি āϝাāϚ্āĻ›িāύা। āφāĻŽি āĻĒাāϞা⧟িāύী। āφāĻŽি āĻĒাāϞাāϚ্āĻ›িāύা। āĻāĻ–ুāύি āύা। 

- Shrestha Mukherjee, October, 2021 :)