Monday, 12 July 2021

Why isn't my 'Present' speaking anymore?

There is always this fine line between living and dying, and that line is called our Present. Once I heard a faint voice whispered into my ears which coherently spoke about some stories of Yesterday Supper time. But I could not compose those words because I was merged into this vast eternity of blue glistening sky above me which was living at that moment. Most of the time I had always let these moments slip away out of my fists but that day I could not resist myself to dive into that immense airspace. Yes, I may have felt the hushed existence of someone standing behind that door at my back, waiting for me to turn around, but something that day stopped me. That day I comprehended that when we turn back towards the days that we had already left behind on the crevices of unbearable suffering, let us go back to those past moments that beckoned us and showed us the traps of nostalgias, are those days that we made us owned by our memories. We are owned. We pushed ourselves to be owned by our memories. We got nowhere else to go and thus are left with the choice of being stocked by the cage of our immortal corpses. We are forced to be locked up within our consent. Similarly, there are days when you desired to be breathing heavily by standing on the edgiest summit of your determined destination but in reality, you found yourself to be sitting on your claustrophobic bed breathing heavily and holding yourself to be calmed down by the emotional breakdown that might occur any moment and will wash out your existence forever from this Universe. Your days ahead, your sunshine sparkling on the daisies of your dream field may be pretending as the mirage of the forthcoming dictatorial future that would chain you up like a slaughtered creature and you may never live like before again.... 
Why are we peeking into our past? Why are we worrying and losing ourselves every single parting moment in the fear of tomorrow? Who is there any way? In the past? We aren't even there anymore! In the future? We haven't even taken birth yet! You are not there. Not "anymore", not " yet". You are "Here!". You were always "Here". You are living. You are breathing here. You are witnessing the honey melting out of the honeycomb, you are witnessing the shivery yawns and pukings of your dear beloved little kittens, you are drinking cool lemonade out from your shinny glasses, you are missing someone you never have met in your life, you are missing someone who was there with you Yesterday, you are letting yourself gliding out from your fears, you are living now. You are alive. You are so much alive. You are 'Here'. You always were. 🌾
Indira (Shrestha) :)
Image source: Pinterest.

Sunday, 27 December 2020

99, Subinoye Ghosh Lane đŸŒŧ

99, Subinoy Ghosh Sarani.
āĻ•িāĻ›ু āĻĻিāύ āĻāĻŽāύāĻ“ āϝা⧟ āϝেāĻĻিāύ āĻ›াāĻĻেāϰ āϧাāϰেāϰ āĻĢুāϞ āĻ—াāĻ›āϟা⧟ āϜāϞ āĻĒ⧜েāύা, āϰোāĻĻ āφāϏেāύা, āĻ›া⧟াāĻ“ āϞাāĻ—েāύা। āĻĻেāĻ“ā§ŸাāϞে āĻļেāĻ“āϞা āϧāϰāĻ›ে āϧীāϰে āϧীāϰে। āĻ āĻŦা⧜ি āĻ­েāĻ™ে āĻĒ⧜āĻ›ে āϰোāϜ। āϤāĻŦুāĻ“ āωāĻ োāύে āϰোāϜ āĻ—াāĻŽāĻ›া āĻŽেāϞাāϰ āϤাāϰে āϤাāϰা āĻĻুāϜāύে āĻŦাāĻĨāϰুāĻŽ āĻāϰ āĻŽāĻ— āύি⧟ে āĻ–েāϞে āύে⧟ āĻāĻ• āϰাāωāύ্āĻĄ volleyball tournament। āϏেāχ āϰাāωāύ্āĻĄ āφāϜāĻ“ Semi-Final āϟāĻĒāĻ•াāϤে āĻĒাāϰেāύি āĻ•িāĻ›ু āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻ•াāϰāĻŖে। āĻ—āϞিāϰ āĻļেāώ āĻĒ্āϰাāύ্āϤে āĻāχ āĻĨুāϰāĻĨুāϰে āĻŽেāϏāĻŦা⧜ি āφāϜāĻ“ āĻāĻ• āĻĒা āϤুāϞে āĻĻা⧜ি⧟ে āφāĻ›ে āĻŦাāĻ•্āϏ-āĻĒ্āϝাāϟ্āϰা āĻ—ুāĻ›ি⧟ে retirement phase āĻ āϝাāĻŦে āĻŦāϞে, āĻ•িāύ্āϤু āĻāχ āĻŦে⧟াāĻĻāĻĒ āĻŽা⧟াāϜাāϞ! Extension āĻšā§Ÿে āϘা⧜ে āĻŦāϏে āφāĻ›ে।
āĻļীāϤে āĻĒাāϟাāϞি āĻ—ু⧜, āĻ—āϰāĻŽে āĻĄাāĻŦেāϰ āϜāϞ, āĻļāϰāϤে āĻŦু⧜িāϰ āϚুāϞ āφāĻ›ে āĻŦāϞেāχ āφāĻŽাāĻĻেāϰ āĻŦāύ্āϧুāϤ্āĻŦ āφāϜāĻ“ āφāĻ›ে āϏেāχ āĻ›াāĻĻেāϰ āĻĢুāϞ āĻ—াāĻ›āϟাāϰ āĻĒাāĻļে āĻĒāϰে āĻĨাāĻ•া āĻ­াāĻ™া āĻāύ্āϟেāύা āĻ•ে āϘিāϰে। āφāĻŽাāĻĻেāϰ āĻŽেāϏ āĻāϰ āĻĻোāϤāϞাāϰ āωāϤ্āϤāϰ āĻĻিāĻ•েāϰ āϘāϰেāϰ āϜাāύāϞা āĻĨেāĻ•ে āĻĢাঁāĻ•া āĻĒুāĻ•ুāϰ āĻĒাāϰ āĻĻেāĻ–া āϝা⧟ āϝেāĻ–াāύে āφāĻŽাāĻĻেāϰāχ āĻāĻ•āϜāύ āϰোāϜ āĻŦিāĻ•েāϞে āĻšাāϤে āĻāĻ• āĻ—োāĻ›া āϚāύ্āĻĻ্āϰāĻŽāϞ্āϞিāĻ•া āφāĻ—āϞে āϰেāĻ–ে āĻŦāϏে āĻĨাāĻ•ে। āϘāϰেāϰ āϜাāύāϞাāϰ āϧাāϰে āϰাāĻ–া transistor āĻāχāĻĻিāĻ• āϐāĻĻিāĻ• āĻĨেāĻ•ে āϜ⧜ো āĻ•āϰে āφāύāĻ›ে āĻ­াāĻ™া āĻ—াāύ āφāϰ āύা āĻĒাāĻ“ā§Ÿা āĻĒ⧜āύ্āϤ āĻŦিāĻ•েāϞেāϰ āĻ–ে⧟াāϞ।
āĻāĻĻিāĻ•ে āϏāĻ•াāϞে āωāĻ োāύে āϰোāϜāĻ•াāϰ āĻŦাāĻĨāϰুāĻŽ āĻĻāĻ–āϞেāϰ āϝুāĻĻ্āϧ āϤো āφāĻ›েāχ। āϤāĻŦে āĻŦিāĻ•েāϞে āϏেāχ āωāĻ āύেāχ āĻĢিāϰে āφāϏে āĻ—া āĻāϞি⧟ে āĻĻেāĻ“ā§Ÿাāϰ āϘāϰে āĻĢেāϰা। āĻ–ুāĻŦ āĻ•্āϞাāύ্āϤ āĻļāϰীāϰেāĻ“ āϞেāĻ—ে āĻĨাāĻ•া āĻ›েāϞেāĻŦেāϞাāϰ āϞেāĻŦু āϞāϜেāύ্āϏāϰ āĻāϰ āϏ্āĻŦাāĻĻ āĻĻাāϞাāύেāϰ āĻ•োāĻŖে āĻĒāϰে āĻĨাāĻ•া āĻ­াāĻ™া āϚে⧟াāϰ āĻāϰ āĻŽāϤোāχ āĻ…āĻŦিāϚāϞ। āĻāĻ•āχ। āĻāĻ• āϘে⧟ে। āĻŽা⧟া āϜ⧜াāύো।
āφāĻŽāϰা āĻ•াāϰা āĻĨাāĻ•ি āĻāχ āĻŽেāϏāĻŦা⧜িāϤে, 
 āĻ•োāĻĨা āĻĨেāĻ•ে āφāϏি āφāĻŽāϰা? āĻ•োāĻĨা⧟ āϝাāχ? āĻ•েāχ āĻŦা āφāĻ›ে āφāĻŽাāĻĻেāϰ āĻĒাāĻļে, āĻ•াāĻĻেāϰ āĻ•āĻĨা āĻ­েāĻŦে āĻĻুāϟো āĻĸোāĻ• āĻ াāύ্āĻĄা āϜāϞ āĻŦেāĻļি āĻ–াāχ? āĻ•েāω āϜাāύিāύা। āĻ•েāω āĻ•াāωāĻ•ে āϚিāύিāύা। āϤāĻŦুāĻ“, āĻļেāώ āϰাāϤে āϝāĻ–āύ āχāϚ্āĻ›ে āĻ•āϰে āĻ…āĻ•াāϰāĻŖে āϟ্āϰেāύেāϰ āφāĻ“ā§ŸাāϜ āĻļুāύāϤে, āϤāĻ–āύ āύিāϜেāϰ āϘāϰ āĻĒেāϰি⧟ে āĻĒাāĻļেāϰ āϘāϰে āϟোāĻ•া āĻŽাāϰāϤে āĻšā§Ÿāύা। āĻ›াāĻĻেāϰ āĻĻāϰāϜা āĻ–ুāϞে āφāĻŽাāĻĻেāϰāχ āĻ•েāω āĻ…āĻĒেāĻ•্āώা āĻ•āϰে āφāĻŽাāĻĻেāϰāχ āĻ•াāϰুāϰ। āύāϰāĻŽে āĻ—āϰāĻŽে āĻĢুāϞে āĻ“āĻ া āϰāϏāĻ—োāϞ্āϞাāϰ āĻ…āĻ­াāĻŦ āĻāĻĻিāĻ•ে āĻ•াāϰুāϰ āĻšā§Ÿāύা। āύাāϞিāĻļ āύেāχ। āϤāĻŦে āφāĻ•্āώেāĻĒ āφāĻ›ে। āφāϰāĻ“ āĻ•িāĻ›ুāĻĻিāύেāϰ। āĻ•িāĻ›ু āϏāύ্āϧ্āϝেāϰ।
āĻĻেāĻ“ā§ŸাāϞেāϰ āϚুāύ āĻ–āϏে āĻĒ⧜āĻ›ে āĻŦেāĻļ āĻ•িāĻ›ু āĻŽাāϏ āĻšāϞো। āϧীāϰে āϧীāϰে āϧূāϏāϰ āĻšā§Ÿে āφāϏāĻ›ে āϤাāϰ āϰāĻ™। āϜাāύāϞাāϰ āĻĒাāϞ্āϞা āĻ­েāĻ™ে āĻĒ⧜āĻ›ে। āϏিāϞিং āĻŦে⧟ে āĻ—ā§œি⧟ে āĻĒ⧜āĻ›ে āĻĢোāϟা āĻĢোāϟা āϜāϞ। āĻŽেāϰাāĻŽāϤিāϰ āύাāĻŽ āĻ—āύ্āϧ āύেāχ āĻ•াāϰāĻŖ āĻāχ āφāĻŽাāĻĻেāϰ āĻŦে⧜ে āĻ“āĻ া āύিāϜেāĻ•ে āĻ­েāĻ™ে āĻĻি⧟ে। āϤāĻŦে āĻ•āϰিāĻŦāϰ্āĻ—াāϰ āĻ–াঁāϜে āĻ•āĻŦে āϝে āφāĻŽাāĻĻেāϰ āĻĒাāĻšা⧜ি āĻŦৃāώ্āϟিāϰ āĻŦাāϏা āĻ—ā§œে āωāĻ েāĻ›ে, āϤা āĻšā§ŸāϤো āĻĻেāĻ“ā§ŸাāϞেāϰ āϘ⧜িāϤে āĻŽাāĻĒা āϝাāĻŦেāύা। āĻ­াāϞো āĻĻিāύ, āĻāĻ•āϟু āωāϤ্āϤāϰী āĻšāĻ“ā§Ÿা, āωāĻ োāύে āĻŦāϏে āĻĒিāĻ ে āϰোāĻĻ āϞাāĻ—াāύো āφāϰ āϤাāϞāĻŽিāĻ›ā§œি āĻ–াāĻ“ā§Ÿাāϰ āĻŽāϤāύāχ āĻŽিāĻ ে। āφāϰাāĻŽāĻ•াāϤু⧜ে।
āĻāχ āϏāĻŦ āĻ•িāĻ›ুāχ āφāĻ›ে āφāĻŽাāĻĻেāϰ āĻāĻ• āϟুāĻ•āϰো āĻŽেāϏāĻŦা⧜িāϤে। āϏেāĻ–াāύে āĻĨাāĻ•ে āĻšā§ŸāϤো āĻ…āύেāĻ•েāχ āϤāĻŦে āφāĻŽāϰা āĻ•āϜāύ āϝেāύ āϜāĻ—āϜিā§Ž āϏিংāĻšেāϰ āĻ—āϜāϞ āĻāϰ āĻŽāϤāύāχ āĻšāϞāĻĻেāϟে। āĻ•াāϰ āϏাāĻĨে āĻ•āĻŦে āĻ•াāϰ āĻ•āĻ–āύ āĻĻেāĻ–া āĻšā§Ÿে āĻŽāύে āĻĨাāĻ•েāύা। āĻ•āϤāĻ•্āώāύ āĻ•āĻĨা āĻšā§Ÿে āĻ–ে⧟াāϞ āĻĨাāĻ•েāύা। āĻ•াāϰ āĻ­িāϜে āϚুāĻĒāϚুāĻĒে āĻ—াāĻŽāĻ›া āĻ•াāϰ āĻ•াāĻ  āĻĢাāϟা āϰোāĻĻে āĻļুāĻ•ি⧟ে āφāĻļা āĻļাāϰ্āϟ āĻ•ে āϜ⧜ি⧟ে āϧāϰে āĻŽāύে āĻĒ⧜েāύা, āĻ•াāϰ āϏিঁ⧜িāϰ āϤāϞা⧟ āϰাāĻ–া āϏাāχāĻ•েāϞ āĻ•াāϰ āϏ্āĻ•ুāϟাāϰেāϰ āϘা⧜ে āωāĻ ে āĻĒāϰে āϜাāύা āϝা⧟āύা। āĻ•িāύ্āϤু āϤাāĻŦāϞে āĻ•িāĻ›ুāχ āĻŽিāĻĨ্āϝে āĻšā§Ÿে āϝা⧟āύা। āϞেāĻĒ āĻŽু⧜ি āĻĻি⧟ে āĻļু⧟ে āĻĨাāĻ•াāϰ āϝে āĻāχ āύিāĻļ্āϚিāύ্āϤেāϰ āφāύāύ্āĻĻ, āϏāĻŦāϟাāχ āĻ­েāϏে āϝাāϚ্āĻ›ে āφāϧāĻ–োāϞা āĻĻāϰāϜাāϰ āĻ“āĻĒাāϰ āĻĨেāĻ•ে āĻ­েāϏে āφāϏা āĻŽāύ্āĻĻ āϞাāĻ—াāϰ āĻ—āϞ্āĻĒে। āĻ•িāύ্āϤু āϤাāĻŦāϞে āĻāχ āĻŽেāϏāĻŦা⧜িāϰ extension period āĻ•িāύ্āϤু āĻāĻ–াāύে āĻĨাāĻŽāĻ›েāύা। āϟিāĻ­ি āϤে āφāϰāĻ“ āĻĻুāϟো āϚাāĻĒ⧜ āĻŽেāϰে āϏেāχ āĻĻিāύেāϰ āĻŽāϤāύ āχāĻŽ্āĻĒāϰāϟ্āϝাāύ্āϟ āĻŽ্āϝাāϚāϟা āĻĻেāĻ–ে āύেāĻ“ā§Ÿাāϰ āĻĻিāύ āϝāϤāĻĻিāύ āφāĻ›ে, āϏেāĻ­াāĻŦে āĻĻুঃāĻ–েāϰ āĻ•āĻĨা āϜাāύāϤে āύা āϚে⧟ে āĻŦāχ āĻĒাāϞ্āϟে āύি⧟ে āύāϤুāύ āĻŦāχ āύেāĻ“ā§Ÿাāϰ āĻŦ্āϝāϏ্āϤāϤা āϝāϤāĻĻিāύ āφāĻ›ে, ā§Ģ-ā§Ŧ āĻŽাāϏ āĻ…āύ্āϤāϰ āĻĻেāĻ–া āĻĒাāĻ“ā§Ÿাāϰ āĻĻিāύ āϝāϤāĻĻিāύ āφāĻ›ে, āĻļীāϤেāϰ āϰাāϤেāϰ āĻŦ্āϝাāĻĄāĻŽিāύ্āϟāύ āϝāϤāĻĻিāύ āφāĻ›ে, āϤāϤāĻĻিāύেāϰ āϜāύ্āϝে āĻ“āχ āĻĻāϰāϜাāϰ āĻ•াāĻ›ে āĻĻাঁ⧜ি⧟ে āϏাāϰাāϜীāĻŦāύেāϰ āĻŽāϤāύ āĻ•াāωāĻ•ে āϝেāϤে āĻĻেāĻ“ā§Ÿাāϰ āϝে āĻ…āϏীāĻŽ āĻĻুঃāĻ–, āϤাāĻ•ে āϜাāϏ্āϟ āϤু⧜ি āĻŽেāϰে āĻ‰ā§œি⧟ে āĻĻেāĻ“ā§Ÿা āϝা⧟। āĻĒুāĻ•ুāϰ āĻĒা⧜ে āϏেāχ āφāĻ—āϞে āϰাāĻ–া āϚāύ্āĻĻ্āϰāĻŽāϞ্āϞিāĻ•া āϏেāχ āφāĻ•াāĻļেāϰ āĻšোāĻ•, āϝেāĻ–াāύে āϰাāĻŽāϧāύু āĻ•াāϞো āĻŽেāϘেāϰ āĻŽāϤāύ āĻ—āĻŽ্āĻ­ীāϰ āĻšā§Ÿে, āĻ…ংāĻ•েāϰ āĻ–াāϤা⧟ āϞাāϞ āĻ•াāϞি āĻĻি⧟ে āϘ্āϝেāϚāϘুāϚ āĻ•āϰে āϚাāϞি⧟ে āϝা⧟। āĻāχ āϏুāĻŦিāύ⧟ āϘোāώ āϏāϰāĻŖিāϰ  āĻŽেāϏāĻŦা⧜িāϰ āϝে āϘুāĻŽāĻ•াāϤু⧜ে āĻŦāύ্āϧুāϤ্āĻŦ, āĻāχ āĻ…āύুāĻ­ূāϤি āϝেāύ āϏāĻŦাāϰ āĻšোāĻ•। 
āĻšোāĻ• ! āĻšোāĻ•! āĻšোāĻ•!
āĻļ্āϰেāώ্āĻ া 🌈

Friday, 17 July 2020

Evening of Affections 🌇

There was a continuous rambling on the iron door knocker and a very ancient man was sitting by the window looking outside, just near to the door. That man was deaf. Not by any disabilities occurred to him due to biology but by society. This is what we are affected with these days; terrible society. And our scattered affections remain fallen off like a turned old book by the side of an empty jar which once belonged to some sort of sweets. Now nowhere to be found in the bazaar anymore. We are losing our affections, our smiles, our satisfaction like an evening, which was dead already. In exchange to that, we are forced to listen to the shouting of ambulances on the irregular roads, as they are not taken care of anymore. The rambling on the door knocker was still there. Far away a girl was heard playing the harmonium "āύীāϞ āφāĻ•াāĻļে āĻ•ে āĻ­াāϏাāϞে.. āϏাāĻĻা āĻŽেāϘে āĻ–েāϞা āϰে āĻ­াāχ.. āϞুāĻ•োāϚুāϰি āĻ–েāϞা..।" A setting evening, singing about hiding and fresh mornings! This is how we are sniffing and munching for dreams. Society is killing our dreams but our evenings are giving birth to them secretly, 'hiding' behind the beliefs of an orthodox lantern, lighted for the homes. 
Those lanterns are then carried inside the house where a very old familiar song was mingling in the choking air of the 'home'.. the words of that song were something like this .."Kabhi humme-tumme bhi chah thi, kabhi humse tumse bhi raah thi.. Kabhi hum bhi tum bhi the ashna, tumhe yaad ho, ki na yaad ho.." What pleasing lines to mourn, to cry, to whisper in the void about. The door knocker was still hitting the door! Suddenly a crystal white Saari, breaking herself into the plague of impatience peeped from the roof towards the rear to enquire after this rambling. There was no one. But a child racing and paddling on his new bicycle. That kid was happy. He is contained with incomplete and growing up affections like a lightning up of a street light to fear out the stale affections of a closed-door with no door knocker, broken lanterns on the rooftop storeroom and a torn brown saari which was heavy with the sweat of the entire summer day. 
Who was singing again? Who was sitting by the window? There was no stereo. No harmonium. Yes, someone is sitting by the side of the window. A cat with a bushy tail and a pair of big eyes. Contained with affections and Melancholy of Akhtari. 🌅
Indiraa 🎠 (S.M৴..)

Friday, 3 July 2020

Pahari Sanyal Cafe 🏞

"There is your gumti.. On that.. No.. No.. Not there, on the left side of the road.. Yes... behind that broken house. Yes."
Like this, we are instructed to our destiny. Funny thing is that we are unfailingly aware of where we are headed to but are always distracted by the journey.
PAHARI SANYAL CAFE!
Strange name.. Isn't it? It's a cafe. Umm.. Well, not a "cafè" cafe, just a cafe on the lap of an unknown hill station. It's a cocoon for runners who ran away from their homes, a gramophone for failed musicians scribbling old songs, again and again, expecting for a dash of tune, a diary for a lone traveller who is recording every sight of what he has observed over the past decade, the last leaf for a dead tree, a blue envelope for a hiding revolutionist, the last umbrella left by a customer two rainy days before, a feeling of numbness choking a news correspondent. The old man was found on the last evening stirring Maggie and scrambled eggs slowly, very slowly, on a frying pan. The cafe was quite. Customers were eating silently. Suddenly a little girl pushed the front door and entered inside. She brought a pocket full of misty fog coming down from the dark tops along with her. The old man scolded her mildly "aamu! why did you leave your bed? You are still on your fever!" The girl sniffed her nose and cleaned it with her trousers. She smiled and headed towards the counter. She handed her little pocket radio to him and told him, " Listen Daaji, your favourite song is coming on the station! Listen listen!" The old man simmered the gas and tried to listen minutely. But he could not compose the music. The signal was horrific! A man from a table near the window called out "Another cup of tea Sanyal da!" The girl raised her hand and told him that she is coming and then raise the tea kettle from the counter and went ahead. The old man coughed loudly and then along with the radio went towards the window behind. The mountain looks like a home of tiny twinkling stars or lights. Those lights belong to someone's existence. A drunk man far away on the bends of the mountain was found to be singing indistinctly about his broken shattered love. The old man standing by the side of the window listening to the radio silently. The broken radio station was only able to mumble these words "⤕ि⤤⤍े ā¤—ā¤šā¤°े ā¤šā¤˛ā¤•े,ā¤ļाā¤Ž ⤕े ⤰ं⤗ ā¤šै ⤛⤞⤕े,ā¤Ē⤰ā¤Ŧ⤤ ⤏े ⤝ूँ ⤉⤤⤰े ā¤Ŧाā¤Ļ⤞..⤜ै⤏े ⤆ँ⤚⤞ ā¤ĸ⤞⤕े.." The rest was not needed anymore for that dying evening. Winter assembled on the lap of ridges silently. 🍀

Saturday, 4 June 2016

this is my first blogging. ..

Well this seems to be very awkward for me as I am a complete New one.... honestly this is my first experience of blog writing.... maybe it will be very funny for you but beyond that I also needs your support....